- ABLETON 10 SUITE FEATURES UPDATE
- ABLETON 10 SUITE FEATURES FULL
- ABLETON 10 SUITE FEATURES PRO
- ABLETON 10 SUITE FEATURES SOFTWARE
I understand this may not be an issue for everyone, but it’s enough for me to not want to use them in practice.
However, the problem I still have with Groups is the constant opening and closing that comes with using them. This was previously impossible now, not so much. For example, if I’m grouping my drums, I usually will also group similar drums (such as multiple kicks or snares and claps). The biggest problem I had with Groups previously was that you couldn’t create groups within groups. Nested Groups: This feature was definitely necessary, and it almost makes me want to use Groups (keyword: “almost”). All I had to do was quantize and crop the clip. I hit the Capture button, and Live not only put a clip into the Session View, it also looped the last eight bars for me, while keeping everything I had played previously. In previous versions of Live, this would have been a sad moment, but with Capture, it was no problem at all. Of course, as soon as the melody was played, I pretty much forgot it immediately. The problem was, I was just goofing around, and didn’t really think I should have been recording. Just the other day, I was working on some music, and while playing around with a few clips in the session view, I came up with a nice little keyboard melody. It’s very easy in practice.Ĭapture: This is one of those features that you don’t realize how much you need until you actually use it. It’s about time Ableton added it into the program natively, and the implementation is not bad either: when you’re editing multiple clips, click the color strip above the clip editor to select the clip you want to edit. For me, this is a game changer, and if you do a lot of MIDI editing, it should be for you, too.
Multi Clip Editing: Live 10 offers the ability to edit multiple MIDI clips simultaneously and right on top of each other.
I’ll also note that I’m using Live 10 Suite, so everything I’ll be discussing is based around that. Not that Live was inferior it’s just that there were a lot of little things missing that I felt held it back from being the full-production DAW it could be.
ABLETON 10 SUITE FEATURES PRO
Instead, I’d like to write first about the improvements that (finally) bring Live into a league more along the lines of Pro Tools, Logic, and Cubase. It seems like a lot of the hype is focused around the big, flashy add-ons, some of which include the new wavetable synth (aptly named Wavetable), Echo (a delay effect), Drum Buss, and Pedal plugins-which are all cool, but let’s come back to them in a bit, shall we?
ABLETON 10 SUITE FEATURES UPDATE
But this update definitely improves upon what was already a great product.
ABLETON 10 SUITE FEATURES FULL
The GUI looks better, the overall workflow is much quicker, and thankfully, it’s not full of “filler” features (add-ons that don’t really fulfill any purpose other than for the company to say “Look what we added!”).
ABLETON 10 SUITE FEATURES SOFTWARE
If you’re reading this, I’m going to assume that you’ve at least come into contact with Live, so I’ll leave out the details on the very basics of what it can do for you and instead focus on how Live 10’s additions play into the software we knew before.Īfter using the Beta for a few months, I was already familiar with the product by the time it officially hit the shelves, and I was super excited for my friends to be able to finally use it as well. With a keen eye on their user base, Ableton aims to crack the DAW market even further, offering the most well-rounded and full-featured version of Live to date.Ībleton Live, in its current form as a fully-functional DAW, has been kicking around for quite a while now, and has gained an impressive following over the years.
0 kommentar(er)
